Saturday, August 7, 2010

WATT'S TOWERS in LOS ANGELES, Calafornia

On March 21st, My partner Ryan and I set off for a great adventure! Our plan was to buy a car and travel through the United States for 3 months from Los Angeles up to Canada, for where we have a 2 year working visa.

So, we arrived in LA and thankfully had our good friend Melissa to stay with while we got ourselves organised and saw some sights. One of the places that I was particularly interested in seeing was the Watt's Towers. Built over a period of 33 years from 1921 - 1954, by an Italian immigrant named Simon Rodia. It is a collection of 17 interconnected structures, two of which stand more than 30 metres high.



With no real restrictions to property borders at the time, Rodia worked with every spare moment to construct this installation of sculptures around his house. He bent the metal rods on the nearby train tracks and cemented in shards of glass and broken pottery that were often given to him as junk. He worked from instinct and had no real plan of what it would eventually look like, other than the boat like sculpture at the front which is reminiscent of how he travelled to America.




















It's been a long time since my last post - BUT I HAVE BEEN TRAVELLING AFTER ALL!

Sorry folks, it got a little hectic there for awhile at the beginning of the year with our plans to move to Canada in March and then continuously travelling for 4 months, so I haven't posted for some time now. Anyway, it's great to be back on the internet and now I can FILL YOU IN!

OASIS - An exhibition as part of the HERRING ISLAND SUMMER ARTS FESTIVAL. January 2010 - Ceramics Victoria Inc

Before I left for Canada in March, I was responsible for organising and curating the OASIS exhibition on Herring Island for Ceramics Victoria Inc. Although trying to coordinate this exhibition at such a crazy time of year was challenging, it was a lot of fun and a great success!

With the help of Jen Mizuik and Leah Jackson, the exhibition went up in the first week of January and was open to the public for 3 consecutive weekends including the Australia Day holiday. We had about 30 artists of all skill levels exhibit their ceramic work alongside each other. The 4 awards that were given out for the exhibition were the Sculpture Award of $500, the Top Shelf Award of $300, the New Members Award of $200 and the Northcote Pottery prize.

The exhibition turned out to be a great success generating a high number of visitors and sales. Turns out that January was in fact a great time to put on an exhibition!



Monday, December 21, 2009

MAKER'S MARKETS

Here's a look at some of the work I have been selling at Markets over these past couple of months. The ones that I have really enjoyed doing have been the Ivanhoe Maker's Market in the Banyule Arts Space on the 3rd Saturday of the Month, and also the Abbotsford Convent Maker's Market where Sunday 20th Dec was my first one.











The Indoor Maker's Market's have a great atmosphere where artists of all different styles meet to sell their work directly to the public. The outdoor ones have been subject to Melbourne's continually changing weather, but have been great fun on a fine day! I have had fantastic feedback and some great sales!

My most popular items I have found to sell are the Boxed Bowls, Brooches, Mini Circle Platters and the Sculptural Raku Bottles.














I also took part in the special annual event of the Mount Dandenong Village Festival on the 29th November. Having grown up in that area, it was an exciting thing for me to revisit home and be involved in - however it did pour down with rain on and off all day. Aah, the challenges of Markets!


Monday, December 7, 2009

BOTTLED EXHIBITION Nov 2009




BOTTLED - My final exhibition for the year has now closed at Pan Gallery, Brunswick.

It was another successful exhibition with many visitors and a lot of talk going around Melbourne about it. I found it to be a young and fresh show with only 18 exhibitors selected from around 60. I was very excited to be one of those 18! Also, I was showing with my friend Leah Jackson (pictured above) and several other ceramic folk I have gotten to know here in Melbourne, so that was fun.

My works ' Weeping Duo' which were a new development for this exhibition, were made using the technique I had learnt whilst in India at the beginning of the year. It involves a process of Raku Firing where I take the HOT pots out of the kiln at around 800-1000 degrees, and carefully position combustible materials against the hot surface of the clay body. It's quite an exciting process really, as it all has to be done very fast and with no mistake.














I was thrilled to be able to bring along my aunt Eileen and uncle Mike to my opening, as they were here visiting from England at the time. This was a rare opportunity to show them my exhibition work in situ. My aunt even admitted that this was her first art exhibition opening! Well, I'm happy that your first (and maybe only) exhibition opening was mine Aunty!


Wednesday, October 28, 2009

PUBLICITY

Some PUBLICITY in the last couple of weeks...

I had an article written about me in the Manningham Leader newspaper on the 14th October 2009, to coincide with the Opening of the Ceramics Victoria 40th Anniversary exhibition. Yay! Here it is:



They wrote that I have only been working in ceramics for 3 years - which is wrong, but other than that I think it came up pretty good! What do you think?

Also, at the moment I am the featured artist on the Ceramics Victoria website on the home page. There you can view my profile and some more images of my work, so check it out!
 www.ceramicsvictoria.org.au

Monday, October 19, 2009

Ceramics Victoria 40th Anniversary Exhibition

OPENING for the 40th Anniversary Exhibition!

On Wednesday the 14th October, the ceramic exhibition of the year opened!
My work titled 'Circles are natural cycles' was alongside 63 other ceramic artists from Victoria including those considered the "Masters" of ceramics in Australia. What a thrill to see my work in the same show as these well known, and greatly experienced practitioners.

The opening went well and the gallery was packed. All the awards were given out to deserving artists and we shared in some wine, food and jazz.




I had been working hard for several months now to perfect the fragile pieces I have on display. After many mishaps and developing of methods for these 2 pieces, I am happy to see them in full fruition as part of the selected exhibition.

The lighting on them is just perfect as it shows off the intricate lacework of shadowing that the pieces create when lit from the right angle. Well done Megan, the curator of the Manningham Gallery for putting together such a diverse and interesting show.



















Thanks to those who came to support me and
if you haven't had the chance to view the exhibition yet, get down to:

MANNINGHAM GALLERY
Manningham Council Municipal Offices
699 Doncaster Road, Doncaster, 3108

Gallery Hours are:
Tues - Fri 11am - 5pm
Sat 2pm - 5pm

EXHIBITION ONLY ON TILL Sat 31st OCTOBER 2009!!

Wednesday, October 7, 2009

RESIDENCY AT SANSKRITI KENDRA continued

PART 2 - Ceramic residency in Delhi Feb-April 2009

With a couple of weeks to go of my residency and since I had pretty much finished up with the making, firing and presenting of my work, I used this time to visit an important potter's village in the outskirts of Delhi. Also, I made a trip to Rajasthan which I had been especially looking forward to.

The Hastal village in Delhi is the site of an original potter's village where people are still living and making pots today. Lining a selection of streets in one particular area, it felt like walking into the perfect lesson of pottery manufacture in India! 2 other artists from the residency, Jane and Katherine, and I were lucky to be guided through this village by the son of a really important and talented Indian potter who has made it to Australia a few times to demonstrate their technique and tradition. Giriraj Prasad is known for his beautifully elegant forms ranging from large scale 2 person high pots to imaculate miniatures of these forms the size of a third of your finger. Giriraj Prasad and his family were extremely welcoming as we sat in their workshop and had chai. We were showed his kiln which covers a couple of floors, loaded from the top and is built into the structure of the building which all of them are in hastal village. His son Shyam then kindly showed us around the old village where we watched people making pots as fast as you could break them! Pots everywhere, raw clay allover the road and entrance to houses, kilns that were built as part of the houses and the kids playing in the streets wanting to be in every single picture taken - What an experience!

 
 

Chandigargh - NEK CHAND'S ROCK GARDEN
This is a magical wonderland that I would recommend everyone who is going to India, to see. My interest in compiling found junk into artworks gave me an especially strong desire to see this place as it has been built by Nek Chand in an old tip yard starting back about 50 years ago. He began it as a secret place where he could creatively find a way to recycle all the wasted junk in this valley in Chandigargh, just a few hours north of Delhi. Over the years, it grew and blossomed into a magical garden which despite government controversy, had to eventually be recognised as a cultural asset which actively contibutes to an effective recycling system for the town. It is an achievement to be recognised and enjoyed. My pictures give an example of some of the things he has created from random things such as bicycle frames, electrical plugs and thousands of colourful broken bangles. I just loved this place!



 

 

RAJASTHAN!
Jaipur -
A couple of days after my big day trip to Chandigargh on the train, I was offered a lift to Jaipur with Devena, our wonderful artist coordinator. This was really nice of her and her family, and the highway between Delhi and Jaipur is actually really well built so it didn't take long to get there and I wasn't freaking out in the car for the first time in my whole trip!
Jaipur, the Pink City, was chaotic but stunning as the sun sets over the painted pink buildings that line the city. I saw the sites of the City Palace with its equistely decorated gates for all seasons, my favourite being the peacock gate. Can you believe they are lucky enough to have the Peacock as their National bird!! I also climbed up the Hawa Mahal with the different coloured windows overlooking a crowded street and roundabout - if you can call it that as cars, motorbikes, bicycles, rickshaws, carts and people on foot were just inching their way through it in even which way they could.
I wandered through the market streets just admiring all the colour and the way the locals shopped.


I managed to find my way amongst several buses to get to Amber. At one point, I felt like I was in a movie where I was jumping onto a still moving bus that never quite stopped to pick me up. Then when I sat down, I realised that the entire bus was staring at me, not because of the way I had entered the bus, but in fact because I was the only western looking person around for miles! Several kms up the road, was the Amber Fort which was of course also stunning architecture, and a little town which had an interesting textile museum with examples of how the traditional block printing fabric is created.



 

Johdpur -
Ahh, the Blue city on the edge of the desert! I think this was probably my favourite place in all of India that I had been. Maybe because it was bordering the desert, and I love deserts! So, I guess because it's so hot there, they painted all the buildings blue to keep them cool...



When I arrived in the evening on the train from Jaipur, It was right in the middle of the Gangore festival in which the parade was happening right through the street that my hotel was on.
The narrow lane was packed, and there were all these floats with men dancing to trashy music dressed like women?! I had no idea what I had just walked into! Anyhow, I was able to watch from the window of the hotel for the next hour or so that the parade went for. The Gangore festival is one that celebrates women and fertility and them finding a partner as was explained to me by the lovely women running the hotel. I guess maybe that explains the costumes?

The main attraction for my visit to Johdpur was not only the fascination for a city that lives bordering a hot and dry desert, but also the great Maharaja Fort which sat on the hill overlooking the blue city. It was stunning! It had immaculately carved stone on the exterior of the buildings with internal palaces that felt like mirrored rooms with all the gem and mirror lined walls, posts and roofs. The gold painted murals and decoration in these rooms was magnificent. These richly decorated rooms will stay with me forever.

 
 

I took the opportunity to shop in the market here in Johdpur for some spices for home cooking (which admittedly, my partner does way better than me!) and some traditional printed scarves as the streets were lined with textile stalls of all patterns and colours.

I will end the tales of my journey with these pictures that I love of random groups of kids and women. It shows the fun, friendliness and hapiness that I found in the people of India. After returning from Rajasthan to Sanskriti, I had a last couple of days to pack and say my goodbyes. Of course nothing goes smoothly and easy for me.......but that's another story.